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He was a model to me of artistic labor and discipline, even if those early paintings were painfully amateurish. The painting followed me from Amherst to my first job in New York, and on to London and Delhi. IT WASN’T MY intention to start an essay about artistic beginnings with a story of artistic death. I’m especially moved by those first moments of validation by which an artist comes out to himself, as it were. It’s this, the inexorability of the correspondence between an artist and the world, that gives those first steps their magical quality.

Persons: Naipaul, Neil Shah, James Wood —, Zack, who’d, ”, Artemisia Gentileschi, Susanna, Elders ”, I’m, ” Gustave Flaubert, “, ” Zack, it’s, Bruce Chatwin, Paul Gauguin, Salman Rushdie, Somerset Maugham, Kathryn Bigelow, Philip Glass, Arundhati Roy, Booker, Joseph Conrad, Conrad, Jacques, ” Conrad, brimming, ’, ’ ”, Clarice Lispector, Benjamin Moser, ” Lispector, Maugham, eludes, Jan van Kessel, Elder, — Pieter Bruegel, —, Rebecca West —, “ Black Lamb, J.R, Hammond, Wells, Rebecca West ”, sloughed, Henrik Ibsen’s, Rosmersholm ”, Karan Mahajan, Salman Toor, what’s, ” Hemingway, Anoushka Shankar, Ravi Shankar, Harold Bloom, Ravi, Uday, René Daumal, Rasa ”, ” Anoushka, Norah Jones, Norah, I’ve, “ Raphael, Rachel Cusk, Italy ”, Perugino, Raphael, Cusk, J.M, Samuel Beckett, Gabriel García Márquez, Thomas Pynchon’s, James Joyce, Michelangelo, Leonardo da Vinci, Marcel Proust’s, Fyodor Dostoyevsky, Read, Emma Kehlbeck, Quinton Kamara Organizations: Amherst College, Elders, Fayerweather, ”, Google, Sunday Times, Somerset, Yugoslavia, The, “, . Locations: Delhi, ”, Massachusetts, Italian, Topeka, Kan, Amherst, New York, London, Patagonia, New Delhi, Torrens, Cambridge, Polish, Ukrainian, Brazil, Flemish, Victorian England, “ H.G, Fairfield, United States, “, East, Lahore, Europe, America, Texas, Side, Manhattan, India, Italy

He was a model to me of artistic labor and discipline, even if those early paintings were painfully amateurish. IT WASN’T MY intention to start an essay about artistic beginnings with a story of artistic death. No one captured the massive cultural and economic disparities of my life in Delhi (and his in Lahore) like Toor. But quite unbeknown to me, Toor’s life in New York had opened up a new vein of material. Not everyone who sees a Michelangelo can go off and paint a Michelangelo.”THERE ARE SO many ways to begin.

☆ Review: With Jeremy Strong, ‘An Enemy of the People’ Is Still Making Trouble
▼ + stars: | 2024-03-18 | by ( Jesse Green | ) www.nytimes.com time to read: +1 min

Dissent is necessary to democracy, sure. That’s the fundamental question posed by Henrik Ibsen’s “An Enemy of the People” — and, in highly dramatic fashion, by the preview I attended of its latest Broadway revival. Surely not the Ibsen, which aligns closely with their views and is a distant source of them. (The play was first performed, as “En Folkefiende,” in 1883.) Nor does it make sense that they would object to Sam Gold’s crackling and persuasive production, which drove those views home despite having to regroup once the protesters were ejected.

Persons: Henrik Ibsen’s “, ” —, Jeremy Strong, Ibsen, Sam Gold’s crackling, ”, Amy Herzog, Strong, Thomas Stockmann Locations: —, ”

NEW YORK (AP) — Nia DaCosta, director of the upcoming “The Marvels,” has a diagnosis for the recent struggles of superhero movies. It’s the first Marvel movie to feature not just all-female leads but a female villain (Zawe Ashton plays Dar-Benn), as well. While originally conceived as a post-“Endgame” follow-up to “Captain Marvel,” Marvel chief Kevin Feige was drawn to the chance to unite Captain Marvel with Rambeau from “WandaVision” and Ms. Marvel of her standalone Disney+ series. After making “Candyman,” a Marvel movie was, DaCosta says, “definitely not in my near future.” But it also wasn’t entirely off her radar. When DaCosta was tapped to helm “The Marvels,” Feige encouraged her to reach out to other Marvel movie directors for advice.

Persons: — Nia DaCosta, ”, “ Mo, ’, Barbie, Mario, Jordan Peele, ” DaCosta, “, Brie Larson, Teyonah Parris, Iman Vellani, Samuel L, Jackson, isn’t, Marvel, it’s, Zawe Ashton, Benn, I’m, Carol Danvers, Captain Marvel, Larson, Monica Rambeau, Kamala Khan, Kevin Feige, WandaVision ”, ’ ” DaCosta, Danvers, I’ve, DaCosta, Henrik Ibsen’s “ Hedda Gabler, Tessa Thompson, Maude, She’s, Sam Raimi’s “, ” Feige, Ryan Coogler, Jake Coyle Organizations: Warner Bros, Marvel, Dar, ” Marvel, SAG, Twitter Locations: New York City, London

☆ Sarah Snook: 'Succession' star to play 26 characters in 'The Picture of Dorian Gray' stage show
▼ + stars: | 2023-06-22 | by ( Issy Ronald | ) edition.cnn.com time to read: +2 min

CNN —After playing Shiv Roy in “Succession,” the critically acclaimed TV series that satirically portrayed the uber-rich but morally bankrupt Roy family grappling for control of a media empire, Sarah Snook will star in another production that skewers society. She will play all 26 roles in the “The Picture of Dorian Gray,” which will run for 12 weeks at London’s Theatre Royal Haymarket from January 2024. Directed by Kip Williams, the artistic director of the Sydney Theatre Company, the play will combine live performance and video “in an astonishing collision of form,” Theatre Royal Haymarket said. “I am elated to return to the London stage in such an astonishing piece of theatre,” Snook said, according to theater site WhatsOnStage. Snook’s “Succession” on screen parents are also returning to the London stage.

Persons: Shiv Roy, satirically, Roy, Sarah Snook, Dorian Gray, Kip Williams, Oscar Wilde’s, “, ” Snook, Kip Williams ’, Williams, Eryn Jean Norvill, ” Sarah Snook, Matthew Macfadyen, Tom Wambsgans, Claudette Barius, Henrik Ibsen’s “, Ralph Fiennes, Snook’s, Brian Cox, Logan Roy, Eugene O’Neill’s Pulitzer, Harriet Walter, Caroline Collingwood, Alba ” Organizations: CNN, London’s Theatre Royal Haymarket, Sydney Theatre Company, ”, Royal, London, Guardian, Old Vic Theatre Locations: “, Sydney, London

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